From a Convo w/ Owen... What do you think?

There's ANOTHER trick I'd been doing for years before Serum came out that Serum couldn't do that apparently now Serum 2 can do. I realised during editing last night's video. We can streamline the whole pitch contour design A LOT now. Just wish I'd realised before yesterday's session! 😅 Watch this space.............

Listening to member tracks sent to me recently, I realise I need to make this point clear. When it comes to the business of de-resonating sounds, LOW frequency resonances tend to pose a LOW risk, and HIGH frequency sounds tend to pose a HIGH risk. That's NOT to say there's absolutely no place for high frequency resonance whatsoever (tambourines, anyone?). Rather, high frequency resonances must be handled with extra care and attention. That's also NOT to say that all low frequency resonance is automatically fine, just that it's relatively less likely to cause real problems. Excessive hi hat, shaker, or ride/crash cymbal resonance in particular seriously give me the ick. Potentially the same issue for the high frequency area on a snare, clap, or even a kick top. P.S. Low frequency resonance is essential/unavoidable for virtually all music, whereas high frequency resonance could, in some cases, potentially be omitted entirely.

Hi I’ll be doing a YouTube livestream on RhythmEcho an hour before Owen goes on if anyone is interested. This will be feature complete v1 but still working with an artist on layout and graphics. I’ll focus mostly on production rather than performance and show you that while it is obviously great for wild stuff it can also bring a mix together in ways other tools can’t. https://www.youtube.com/live/0atuAw9yS4Y?is=J0Kaz-vBLafpIqY0

https://www.dropbox.com/scl/fi/i2b1rz4ul9g1rdjc2swbp/Heliodon-Dynamite.flac?rlkey=oacycj5ltwjhoti85zsizzw1a&st=8boh3mct&dl=0