One small routine, different audiences
Seeing the holiday performance plans here has me thinking about audiences. When I did close-up card magic, reading the people in front of me mattered as much as the trick.
I’m still learning the ventriloquism side. For a short routine, what do you change first when the audience shifts from mostly adults to a mix of kids and adults: the references, the pacing, or the way the character gets into trouble? I’d love a practical example.
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Glen Hutsell
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One small routine, different audiences
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