little details could go a long way with this one-- subtle risers and crashes as phrases change, more in-your-face risers in the buildup, pitch the snare drums up as they speed up in the build up, automate a slight high pass through the build up. drop is solid. earlier in the break you should add more ambience drones and maybe even some guitar ambience. common in tracks like this and you can get them on splice or in packs

i know you fully posted this already but this is sick, vocals could stick out more on the drop but its never perfect quality on these unofficial mixes. also, another toronto guy represent.

damn i forgot about this song lol. yeah some of the finer balance can definitely worked on, like the vocal def needs some processing and compression to sit nicer in the mix, and in the first break the arp kinda drowns it out. but if youre going to properly mix this down itll sound so sick. the guitar layering is really cool.

@Charlie Wonder second this, MHA is goated.

hey bro! sick track. concurring with the rest of these guys, I think it needs more transitional elements, think sweeps, high pass automation, reverb automations, snare rolls, just think anything to show transitions between song sections ie verse to chorus to drop. some tension in a buildup leading into a "release" on the drop would take it to another level aswell.