Where Are Your Feet? — a picture book about a young rabbit called Noodle whose head is always somewhere else. Fourteen spreads, thirty-two pages, finished print files ready for KDP. I’ve written three books for adults. This was my first for children and my first time illustrating anything. The workflow, in case it’s useful: I developed the story and the character with Claude — the manuscript, the spread-by-spread structure, the scene descriptions, and a lot of back-and-forth about what the book was actually about. Then Firefly for the character reference images, Noodle and his friend Tilly. Then StorySmile to build the spreads, hold the character consistent, and produce the print files. Each tool doing the thing it’s good at, rather than fighting one of them to do everything. Four things I learned: -The reference image decides everything. I locked in a lovely seated rabbit — and then every spread came back with him sitting down, no matter how clearly I described standing. The tool wasn’t ignoring me; it was faithfully reproducing the character I’d given it. I had to go back to Firefly and build a second reference before the spreads behaved. -Use the edit function, not a regenerate. When a scene is 90% right, editing preserves the character, setting and continuity and changes only what you asked about. I wasted several generations learning that. -The continuity note wants one backward reference. Not three, and not a description of what future spreads will need. “Same kitchen as Spread 3.” That’s it. -The automated checker is a nudge, not a verdict. It flagged my rabbit’s ears as inconsistent on five separate spreads — they were fine every time. It also caught a genuine trim-edge problem I’d have missed. Treat it as a prompt to go and look, and trust your own eyes. And the thing that actually mattered: My opening line was “Noodle has very big feet.” Five attempts later the feet were still ordinary rabbit feet, because a soft watercolor rabbit is a soft watercolor rabbit and the style was never going to caricature.