Hi @Hugo Barbera - I hope you're doing well 🙂 When working directly for clients, where do they usually create the most friction during a project? Also... What’s the biggest reason a good prospect doesn’t buy after you've had a call with them? Is it price or your availability, or something else? Many thanks!

Hi @Hugo Barbera I hope youre well! What’s your take on the EU’s new AI content disclosure requirements, including its proposed AI disclosure icon? As you’re based in Spain, I’d be really interested to know how this is being understood by people working commercially with AI imagery. Do you think clients will actually use the icon or another form of disclosure, and how do you see it affecting the kind of work we create? Many thanks! P.S. Here's the link to the full AI act rules for anyone else reading this.

Hi @Hugo Barbera - when working directly with a client, do you give them a set period to review and approve the completed work before issuing the final 20% invoice? I’m also curious how you handle it if they take longer to respond, or use both revision rounds but still do not formally approve the work. Many thanks!

Hi @Hugo Barbera what are the most common forms of scope creep in commercial AI image projects? Which requests tend to look small at first but end up consuming a disproportionate amount of time? Thanks!

Hi @Hugo Barbera - we all know that anyone will eventually be able to produce a good-looking image with AI. Beyond the taste and judgement we bring, where do you think our real moat is? Is it our ability to explain: - why the image should exist - why it's right for this audience - why it could not belong to a competitor - why the product belongs in that world - and why the client should approve it? In other words, is the value increasingly less about making the image and more about the thinking that makes the image strategically right? Have I missed anything? Cheers!