I've just started building my entry for the Higgsfield contest: a short film in the register of the Romanian New Wave, based on a true story, made scene by scene with Cinema Studio 4.0. The whole project is public, prompts and generation history included, like open source for film. If you're curious how it's built, have a look, and if you like where it's going, a like or a comment helps: https://higgsfield.ai/@valicslehel/projects/the-medical-number

One flat image in. A full 3D world out - one you can light, arrange, and film with a camera YOU control, keyframe by keyframe. I got beta access to EVRN and took it through a complete workflow: photo → object segmentation → a generated 360 world → lighting → camera animation → export straight into my AI film pipeline (Seedance 2.5). Why it matters: instead of regenerating a 30-second shot 3-5 times at $8-11 per try, a previz like this can land it on the first generation. Full tutorial: https://www.youtube.com/watch?v=SoDoOsrCiWQ EVRN beta access: https://evrn.world/ Where we plan our scenes (free): https://storyboardbook.com/ How would you use something like this in your workflow?

Seedance 2.5 SKILL for Claude. Free to download, just read the README file. Leave a comment if you use it. https://drive.google.com/drive/folders/1LAA1m7BWPQGFz3JtjFqotE9EI_9MMFAo

Weekly live classes will be moved officially to Mondays at 7:00 PM MT. Unfortunately for us my dad is losing the battle against cancer. And my life requires me to rearrange some classes in order to accommodate better times to be available for him. I thank all of you for your prayers and your kind wishes. And I'll see you on Monday at 7:00 p.m. I have made the change in the calendar

A 65-year-old woman stands at her husband's wake with dry eyes, and then starts telling her children how he asked her to marry him. The story goes back to 1965: a girl who had never owned one new thing in her life, a promise she made because she was certain it could never be kept, and a man who found a way to keep it. 10 minutes, set between 1965 and 1968, shot in two grades: a pushed documentary-realist 35mm look for the past, and a much darker, candle-lit grade for the present-day wake. Watch it here 👇 and tell me what you think about the pacing, the grade and the ending. Honest notes welcome, that is what I'm here for. https://www.youtube.com/watch?v=qTk7etB6DuY