Activity
Mon
Wed
Fri
Sun
Nov
Dec
Jan
Feb
Mar
Apr
May
Jun
Jul
Aug
Sep
Oct
What is this?
Less
More
15 contributions to AI Guerrillas
new music ditributor
someone here recommended toolost as alternative for Distrokid, anyone used it? how long does the releases appear on stores? cause distrokid publish them in 1-2 days.. like.if i release them today and set the release day as today.. tomorrow or max the next day after tomorrow they are up..
1 like • 4d
TooLost is pretty quick on a paid plan, usually within a day or two as long as your metadata is clean. Just make sure to give yourself at least a couple days buffer instead of same day release, because any small review delay can throw off the store timing. Spotify and Apple can still take their sweet time processing on their end regardless of the distributor.
0 likes • 4d
@George Virtanen Yeah, that's completely standard now. Most distributors ask for proof of commercial rights on AI tracks because free tier generated music can trigger copyright strikes or store takedowns. The two-week recommendation is also normal across the board it gives their review team time to clear the rights, plus it lets you pitch to Spotify for Artists editorial playlists once the track is ingested. You can still set it closer, but two weeks is safe to avoid launch day hiccups.
Generating Tracks Versus Releasing Music
Generating a solid AI track or cover art takes only a few minutes now, but putting together a full release is where things usually stall. It’s easy to end up with dozens of great audio snippets sitting in folders while struggling to finish the metadata, track packaging, and distribution steps. Getting the initial creative output feels fast, but organizing all the moving pieces to actually launch it takes way more effort. What part of the process usually slows you down after you get a track you actually like?
1 like • 4d
@Dustin Aaron Planning releases out all the way into 2028 is wild discipline. Having that clean separation between raw assets, edits, and final YouTube/album files is honestly the only way to avoid losing your mind when the catalog gets that deep.
0 likes • 4d
@Terrence Bullock Keeping it fully local makes a ton of sense
Suno Just Invented The Most Messed Up Genre Ever.....
Niche of the Day: Black EDM. Like Black Metal, only electronic 🤘😂🤘. The song is literally called RAAAAAAAAAA rofl
Suno Just Invented The Most Messed Up Genre Ever.....
2 likes • 4d
Black EDM is wild, but honestly the unreadable spiky band logo completes the whole aesthetic. Suno nailing the harsh vocals over electronic synth drops actually works way better than it has any right to.
Anyone ever get this error message on Distrokid when uploading?
It's been stuck on "verifying" but I can't figure out why. Checked the WAV file and it's playing ok. Not sure if I should let it sit for a while or just refresh and do everything again?
Anyone ever get this error message on Distrokid when uploading?
0 likes • 4d
@Sasha S That file name quirk with DistroKid catches so many people. Good to know it just needed the exact text match instead of having to scrap the whole upload and start over from scratch!
⚠️ My two cents ⚠️
🚨 Read This Before Distributing: Crucial DistroKid Pitfalls & Account Risks 1. The "Account Flooding" & Rapid Release Risk The Mechanism: Streaming stores (especially Spotify and Apple Music) use automated systems to detect "flooding"—the uploading of a high volume or a rapid succession of tracks/albums from a single account. The Consequences: When stores detect rapid bulk uploads, they flag the content under "Editorial Discretion" or suspect artificial streaming/spam. DistroKid's Stance: DistroKid acts aggressively when stores flag an account. To protect their wholesale relationship with DSPs (Digital Service Providers), DistroKid will typically ban the entire master account and freeze all pending payouts/royalties across every artist tied to that account. Safe Practice: Maintain realistic spacing between releases (e.g., leaving proper lead time rather than dropping dozens of tracks or back-to-back albums simultaneously from the same profile). 2. Multi-Artist Account Vulnerability (The Ultimate Plan Trap) The Risk: Managing 5, 10, or 20 artists under a single DistroKid Ultimate/Label Plan means shared liability. The Domino Effect: If one artist under the account gets flagged (whether for copyright claims, sample clearing issues, artificial streams, or store flooding), DistroKid wipes out the entire master account. How to stay safe: Use separate DistroKid accounts for different projects. At the very least, keep risky or high-volume uploads away from the accounts that are already making money. 3. Metadata & Identity Mismatches Songwriter vs. Artist Name: A common mistake on DistroKid is confusing the Artist Name (stage/brand name) with Songwriter Credits (legal name). Publishing/Payout Delays: Putting a stage name in the writer section can lead to metadata rejections, delayed royalty distribution, or publishing clearance holds. Hope this helps. 🙏
0 likes • 4d
The multi artist liability on those bigger plans catches so many people off guard. When you are juggling several aliases, mixing up legal songwriter names and stage names happens way too easily if you are moving fast. I keep the metadata and release dates mapped out on project cards in Floment AI and use DistroKid strictly for the upload step. Rushing the spacing between drops to hit an arbitrary release count is usually what gets accounts flagged in the end.
1-10 of 15
Tony Iverson
3
35 points to level up
@tony-iverson-7089
Building things online and trying to optimize my daily workflow. Here to learn from founders who are a few steps ahead.

Online now
Joined Jul 5, 2026
Powered by