The path from a hard drive full of music nobody's heard to real conversations with the people who put music in games, films, and shows. The three steps every hired composer walks through, what goes in a demo reel that gets listened to, and how work actually changes hands (not job boards). Plus the three numbers that tell you if you're 90 days from your first real conversation. 15 minutes to read. When you're done, comment which step you're stuck on: 1, 2, or 3.