My husband and I started creating music for our artists and we hit the 1000 streams milestone on our first 2 tracks today with others following closely behind with 11,300 streams on our profile. Head down, working focused.

Cutting through the noise and generating songs or cover art is awesome, but bouncing between scattered prompt notes, random spreadsheets, audio files, and browser tabs to keep track of release pipelines gets chaotic pretty fast. Before I over-engineer some complex setup... what does your actual project tracking stack look like when pushing projects from idea to final drop? Are you keeping your task lists strictly in basic notes apps, or using a simple visual board/workspace to keep your builds moving forward consistently?

hey guys, been going for a while now on my channel. but im in a sorta creators hole atm. currently im producing genre music, deephouse/afrohouse, melodic, or just house. they arent artist specific. theres no 1 singer or persona singing the song. so consider me more as a playlist. but heres the twist as well. by investigating winners they all seems to have a ONE persona type gig going on. wich is easily more branding/recognition wise. oh this is .... track. and now i feel like ive been going the wrong way. any succesfull guys out there: - do u use just a one persona approach on ur winners? - what strategies does one use. just upload on distro? u do music videos? or keep it to shorts? tiktok and insta? currently: im making tiktoks, insta, youtube shorts template full lenght vids. try using some promotions left and right. any help is much appreciated

SOOO... day 14: im not following the mass album strategy at this first channel that i made. that will work for niches i guess but this being my main (my soul project) channel i decided i just wanna post pure content i really loved producing and i actually vibe to. i do post nearly daily singles. so almost daily or every 2 days a new song comes out. i try bulking them a bit to distro upfrunt so streaming is available first so any traffic generated is actually presented in streams. so far the stats aint lying: 14 days from first video 4444 subs xD 40k views , 250 hours of watchtime official artist channel claimed official artist tiktok claimed focussing on shorts ive noticed is very important so far. thats my next mission. getting the tiktok crowd engaged. so we start filling the actual streams on spotify etc. to be continued =)

Okay, I know I posted about Suno’s announcement a few days ago and basically said, “Don’t worry, the sky isn’t falling.” 😂 But after reading the August 6 update more carefully, I’m wondering if this one deserves a closer look. Suno is making several changes, including one that will put limits on mass distribution. That got me thinking about using a high-volume strategy. What impact, if any, would this have on a high-volume AI music strategy if Suno starts putting meaningful limits on mass exporting and distribution? I genuinely don’t know yet. But this announcement potentially seems relevant to the high-volume approach many of us are exploring, and I think it’s worth discussing rather than assuming it won’t matter. Sources: Suno’s official announcement: https://suno.com/blog/building-the-future-of-music-responsibly Billboard: Suno Shares Plan to Limit AI Song Downloads https://www.billboard.com/pro/suno-shares-plan-to-limit-ai-song-downloads-details/