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How an Outsider Won Runway's Top AI Prize
The premiere episode of the AIography Podcast is up. I sat down with Robert Gaudette. He's a 54-year-old nonprofit worker from Toronto. He never went to film school. And he just won the top prize at Runway's AI Grand Prix with his film "A Face Only a Mother Could Love." Here's what got me. The film has real heart. It moves people. That's the one thing everyone says AI can't do, and Robert did it anyway. We talked through how he actually built it, start to finish. His workflow. The "subtext block" he puts in his prompts. How he pushed past the imposter feeling that hits all of us. And why he still believes story comes first, even now. If you've been stuck at "where do I even begin," this is the one to watch. Robert started exactly where you are. Link to Interview Link to Robert's film "A Face Only A Mother Could Love." Watch it, then drop one thing that surprised you in the comments.
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Welcome to AIography 👋 Read This First 🚨
Before you jump in, there’s one important thing to understand about this community. AIography exists to explore how AI is reshaping filmmaking, storytelling, and creative workflows from script to screen. This is a place for learning, sharing experiments, asking smart questions, and helping each other navigate a rapidly changing creative landscape. To help keep the signal high and reduce spam, posting is unlocked once you reach Level 2. You’ll get there quickly by engaging in discussions, reacting to posts, and participating thoughtfully. What this community is NOT: - A place to pitch “make money” schemes - A place to drop affiliate links, funnels, or cold offers - A place to self-promote unrelated products or services If your first instinct after joining is to sell something, this is not the right room for you. What is encouraged: - Thoughtful discussion around AI tools and workflows - Sharing work in context (what you tried, what worked, what didn’t) - Helping others learn and think more clearly about AI and creativity - Genuine collaboration and curiosity Promotion may be allowed later and in the right context, but it is never the starting point here. Posts or comments that ignore this will be removed. Repeated behavior will result in removal from the community — no drama, no warnings loop. We’re here to build understanding and craft, not noise. If that sounds like your mindset, you’re in exactly the right place. If not, it’s better to know that now. — Larry
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🚀 Founding Members Is Now Open — $29/Month, Locked In For Life
I just posted something I've been working on for a while, a video that explains exactly what AIography is, where it's going, and why I built it. The short version: I've spent 40 years editing at Warner Brothers, Sony, Disney, HBO, and Netflix. I was there when Avid replaced film. I consulted on Final Cut Pro before it had a name. Every time a transformative technology hit, I watched the same thing happen: everyone focused on the shiny new thing and forgot about the craft. It's happening again with AI. And almost nobody is talking about story. That's what this community is about. 🎬 Watch the video below. If what I'm saying resonates, I'm now offering a Founding Member tier for $29/month, or pay annually and get two months free. Locked in for life. Full access to everything I'm building: courses, live workshops, Lumarka early access, and direct access to me. This window won't stay open forever. Head to the Classroom and hit the Founding Member upgrade. Then come back here and introduce yourself. I want to know who's in the room.
🚀 Founding Members Is Now Open — $29/Month, Locked In For Life
Between the Shores - Music Video - Title Theme from Skyglass Drift
Hackathon (FREE) Game Entry - Coming September 30th! Lyrics: [Hook] I have a sail. I have a name. The sky stands still. I cannot stay. [Verse 1] Thirty years of borrowed gold, and every shadow knows its place. I watched a sail go past the sun: the only hand across its face. Below the quay, the broken world lets all the little stars show through. The woman with the chart looks up. I ask her what the currents do. [Chorus] Between the shores, between the stars, the blue runs on beyond the chart. I have a sail. I have a name. The sky stands still. I cannot stay. [Verse 2] She sets a cup beside the page. Its handle points toward empty air. I find my route beneath her hand; I do not ask who should be there. Above the roofs, the brass rings shine. Below, the mooring takes the strain. I know the weight of one small bag. I lift it. Set it down again. [Chorus] Between the shores, between the stars, the blue runs on beyond the chart. I have a sail. I have a name. The sky stands still. I cannot stay. [Bridge] The paper trembles in the air. I take the chart. She leaves her hand there. [Final Chorus] Between the shores, between the stars, the blue runs on beyond the chart. I have a sail. I have a name. The sky stands still. I loose the sail. [Outro] Between the shores. ---
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AIography
skool.com/aiography
Hollywood craft meets creative AI. Learn how to generate studio-quality content, secure clients, and get paid. From someone who's actually made films.
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