Shiny Staples
Marc has consistently said that the Galbraith rhythms would sound good even if you played them with our staple chords - so I took Shiny, kept the exact rhythms but changed all the chords to be staple chords (see attached pdf). It sounds pretty good! I wouldn't recommend that and abandon their current project conquering Shiny - but there is a lot to be said for learning to effectively use the Charleston rhythms with our staple chords for your initial songs.
The To Do's for anyone working through the Foundation Lessons ( , and come to mind)
  • Learn to play Charlestons that start on the 1 or on the 3rd beat. (These are in the Lesson 2 Etudes)
  • Learn to play "anticipation chords" on the 4 and & of 4 (Introduced in the Deep Dives Lesson 12) but once you learn to play Charlestons on the 3 in Lesson 2 - particularly the blues etudes 2.5 and 2.6 - you are already playing an anticipation chord on the & of 4. You just don't need to play the initial downbeat on 3. (this may be hard to follow - I'll remind you when you hit it in Lesson 2!)
  • Learn to play Charlestons starting on an off beat - in particular the & of 1 and landing on the 3rd beat.
For full disclosure
  • the Galbraith chords sound better, with greater variety
  • using the staple chords occasionally forced me to make large jumps up the neck to make the phrase work which was challenging
  • The counting still isn't easy.
But I think this proves Marc's point!
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Mentor Bob Kinney
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Shiny Staples
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